Standard issue mate

This is testament to Ethan's selection skills - and your good taste!oolongfan wrote: ↑Tue Aug 24, 2021 5:12 pmSpeaking of Lishan, i just finished some of Ethan Kurland's Lishan from his current offerings. Despite Ethan's rather humble description, this tea is very complex with sweet spring grass, clover, sweet pea notes mingling with refined delicate orchid and honey notes. The former reminded me of Ethan's Da Yu Ling from the previous years because of the sweet spring grass and sweet pea notes that are both savory and sweet yet never vegetal. The orchid notes is refined and nothing like those overly floraly perfume-y green oolongs that bring to mind bad perfume. No this orchid note is like a faint delicate memory..a mere suggestion yet carrying enough strength to contrast against those savory grass sweet pea and clover notes. There was also a delicate mint that slowy emerged but one that was never mentholy or bitter..with a hint of vanilla or fortune cookie. Far exceeded my expectations, especially for the price.
So nice to read that you & Leo enjoy oolong from me; &, it is fun to be reminded of last year's dayuling, & to have 2 people do a better job of noticing specifics & describing.oolongfan wrote: ↑Tue Aug 24, 2021 5:12 pm.... 1. The former reminded me of Ethan's Da Yu Ling from the previous years because of the sweet spring grass and sweet pea notes that are both savory and sweet yet never vegetal.... 2. There was also a delicate mint that slowly emerged but one that was never menthol or bitter....
Brewed 6g in my 85 mL gaiwan.The tea is processed in a light way that makes the character and fragrance of the cultivar bright and powerful.
Hello @maple, I am afraid I must disagree with you. Although the style has changed dramatically over the years, Bao Zhong (Paochong) has been produced in Taiwan since the latter half of the 19th century. In Davidson's chapter on the tea industry in Taiwan (then called Formosa) published in 1903 he clearly talks about the production of these teas and the Chinese diaspora they were sold to. Similarly he describes the production of Formosa oolong. This tea is not Oriental Beauty. In his 1935 book, Ukers describes in detail the production of oolong in Taiwan and, again, there is nothing that resembles the specialized production methods for OB.maple wrote: ↑Wed Sep 08, 2021 9:55 amIn early 20th century Taiwan/ Taipei, before the naming of Baozhong and its popularity - oolong is the only export tea product.
And in this context (LQER Taiwan) - oolong meant "oriental beauty".
To prove this argument -
This book is published in 1956 (ROC 45) - It describe the process of Baozhong and Oolong (a.k.a the process of oriental beauty).
Another name of oriental beauty is 五色茶 which means five colours tea (black/ white/ red/ yellow and GREEN).
And there’s a lot of different categories of it. But due to the modern competition…… most of people (include tea lover in Taiwan) only focus (and know) the competition grade. This aesthetic conception change everything. It’s hard to find five colours in the market now.
and....Just want to share my "green" oriental beauty which harvested in late August.
This was a very kind gift from @BaisaoHSH Himalayan Shiiba is made from tea trees that were originally from Shiiba village of Miyazaki prefecture, Japan.
In 2004 and 2007 T. Shimada san, the family friend of the owners of Jun Chiyabari Tea Garden since early 1960's brought some tea trees to Jun Chiyabari from Shiiba village.By producing this tea from Shiiba Yama Cha tea trees, Jun
Chiyabari re-establishes the connection to tea trees of Shiiba village; by drinking this tea, a connection is made between Japan and Nepal, specially between Hile, the remote village of Jun Chiyabari high in the Himalaya in east Nepal to the remote village of Shiiba in the mountains of Miyazaki in west JapanThe tea is made using a blend of the Shiiba cultivar with others while propagation of the Shiiba is underway, in the hope that the tea will eventually be made exclusively with Shiiba